![]() Most recent updated edition online at a discount.Ĭurrently Seeking: children’s, young adult, romance, chick-lit, political thrillers, cozy mysteries, screenplays, poetry The biggest literary agent database anywhere Twitter handle: literary agents share what NOT to write in your query letter.) Since joining Folio Literary Management she has had the pleasure of working with both debut and seasoned authors alike. Worthwhile to take their feedback into serious consideration and possibly revise before sending out your project more widely.Reminder: New literary agents (with this spotlight featuring Annie Hwang of Folio Literary Management) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.Ībout Annie: Originally from Los Angeles, Annie first worked in journalism before moving to New York to pursue her love of book publishing. However, if you are receiving unanimous feedback from a number of agents about why your project isn’t working for them, it might be I tell writers all the time that just because a project isn’t right for me doesn’t mean that another agent will feel the same. It is so important to keep in mind how subjective our tastes can be. If one agent turns me down, should I expect others to do the same?Ībsolutely not. I’m looking to represent an author’s entire literary career and everything that entails. After all, I am not looking to represent this or that project. The truth is, I adore short stories, so while collections can be difficult to sell, if I absolutely love the writing I’m not one to shy away from the challenge. ![]() I cannot speak for all agents, but I certainly would-especially if there’s a novel attached. Will agents work with writers whose initial work is a collection of short stories? Are short story collections ever considered by agents for a writer’s first publication? Once you and your agent have reached an understanding and are able to part on amicable terms, then begin querying other agents whom you feel would be a better fit for you and your projects. The best way to begin that process is to have an honest and professional conversation with your current agent about what is and what is not working for you in your partnership and why. It’s not wrong to want to seek new representation, but it is important to go about it the right way to avoid leaving a negative impression. Is it wrong to want to seek new representation? And what is the most civilized way to go about it? I don’t want to seem ungrateful, but I’ve suspected for a long time that we aren’t the best fit. My literary debut, which she sold to an editor I had a history with, did well both critically and commercially. What’s the best way to change agents? My existing agent specializes in thrillers and nonfiction. If I love the project, chances are that overcoming a previous track record is just a matter of strategy that the author and I would discuss once we are officially working together. That said, before I do, I first fully consider the project that writer is querying me with before I take the author’s previous track record into consideration. More often than not, if a writer mentions a previously published book in a query (and you should, of course), I check its sales numbers. How widespread is this practice, and can you share your thoughts about how an author can overcome an early record that isn’t his or her fault? I have been told by several agents that they rely on Nielsen BookScan to check an author’s previous sales and often base their reactions to queries accordingly.
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